Flour Resist: For Surface Design, It’s Irresistable!

OK, I apologize for that bad pun.

After several days of either staring at the TV or holed up in my bedroom with only a chugging steam vaporizer and damp magazines for company, I pulled out the fabric and set off to make some cloud-themed fabric for my new art quilt.

Flour resist is a great, cheap way to get excellent results when it comes to designing fabric. I love it. I first read about it in the February/March 2008 issue of Quilting Arts magazine, and then again in more depth in a fantastic book by Jane Dunnewold, “Improvisational Screen Printing”, which I got myself for Christmas last year. I think I like this technique because it’s quick. Sometimes I get tired of the idea that art has to take forever!

I painted a mix of one part white flour, one part water onto cloud shapes I drew onto fabric:

If you don’t pin down the fabric at the time you apply the flour paste, the fabric scrunches up like this:

However, this didn’t bother me because I wanted an uneven, scrunchy surface, because that would make the dye pool in unpredictable ways when I applied it:

Technically, I think you’re “supposed” to apply paint or at least thickened dye…..because of course the more wet the pigment, the quicker the flour resist will break down. I think though that if you want an impressionistic design, or if you’re theme is organic–like plants, sea, sky–some unpredictable breakdown could be really attractive.

Here’s what it looked like the first time around; because, of course, I knew I’d have to over-dye it a few times to get the result I wanted:

So, I did the whole thing over again, applying paste and then squirting on dye with an eyedropper and letting it set in the warm sun for an hour….

After the second time around, this is what the clouds looked like:

The weather kind of took  a nose dive, and I wanted a bit more distinction in my cloud shapes, so for the third time I stapled the fabric down to keep it even, painted on the resist, and carefully sponged on dye, this time in my dining room with a lot of drop-cloth fabric on the floor and heater on to make sure it was nice and warm for the dye to set:

This is the finished piece; it’ll be the top bit of the quilt:

I’m piecing together all the screen-printed and dyed fabric today that will be the “quilt top”; and from that point on, the reverse-applique and applique will begin!