But I did listen to the call of needle and thread, and pulled out the old overhead projector:
I magnified a simple drawing on transparency plastic of a desert poppy: then I traced the image from the overhead projector with a sharpie onto some Pellon Tru-Grid to make a pattern; this “pattern” for an applique will have 4 parts (not including the stem):
So, this is hard to see below, but the master pattern is on the left, and in red on the right I made 4 individual pieces for the poppy:
Then I picked out the right fabric. My photos of poppies in my yard seem to all have darker colors on the background petals. Here, I have my first piece of fabric, water soluble marker, scissors:
I traced the pattern onto the fabric, carefully selecting the bias, because there are curves in all the pieces, and it’s easier to manipulate the appliques with curves when they’re cut on the bias…and then I cut it out, adding a 3/8 inch (give or take) seam allowance to the drawn line…
…and then I spritzed some water on my counter top, and gently dampened and folded and squeezed the seam allowance fabric under the drawn line. I also alternated some pinching with a hot iron. Notice that the bottom part is unfinished; that’s just extra fabric I left on so that the other 3 pieces will have something to attach to.
Here are all 4 finished pieces, all pressed:
That’s close enough for me to the pattern I made. I basted the seams of each piece. I’ll baste it all together, and eventually this will be one of several poppy appliques on my new art quilt; I’ll topstitch them down to the quilt top. I’ll add some water soluble crayon shading to the applique, too, to create the illusion of depth. But the appliques will be machine sewn to the quilt top, when the time comes; it’s just sturdier, and, there’s only so much hand applique I can take!